A Bittersweet Life
DVD Quantity : 1
Dialogue : Korean
Subtitle : English
Region : All Region, Free Code
Disc Type : DVD9
Screen : 16:9, 1.85:1
Audio : Ac3, 5.1 Channel / Dts 5.1 Channel
Series Type : Movie
System : NTSC

A Bittersweet Life, the latest film from Ji-woon Kim (who previously helmed The Quiet Family and A Tale Of Two Sisters) proves the old adage of 'if it ain't broke, don't fix it' with its derivative and unoriginal story of cold and bloody revenge. However, what the film lacks in originality it more than makes up for in style and creative violence even if it does take the movie an hour or so to really get moving.

Sun-woo (Byung-hun Lee) is a mobster who serves in the employ of President Kang (Yeong-cheol Kim). When Kang has to go away on business, he arranges to have Sun-woo look after his young and very pretty mistress, Hee-soo (Min-a Shin of Volcano High). Sun-woo promises to call Kang if he notices anything funny in the young lady's behavior and off Kang goes to take care of business.

Hee-soo isn't so keen on being escorted around by one of her man's henchmen but Sun-woo does his best to be nice to the girl. While shadowing her, he discovers that she has a lover on the side and after beating him up, decides to let him go on the condition that he and Hee-soo breathe a word of this to no one. Of course, eventually Kang finds out that Sun-woo didn't keep his promise, and he's kicked out of the gang after finding himself on the end of a serious ass kicking. Hee-soo, convinced he has done the right thing and kept Sun-woo's best interests at heart, heads into the underworld of Seoul to get himself a gun so that he can get back the gangsters who beat him up and tried to kill him. He works his way through the alleys and streets towards Kang's headquarters, determined to exact his revenge one man at a time until he works his way up to the top of the ladder.

Borrowing bits and pieces from better known action and noir films (parts of the movie reminded me of John Woo's The Killer, other parts of John Boorman's Point Blank and other parts of Tarantino's Pulp Fiction), Ji-woon Kim crafts a gorgeous looking and very dark noir that starts off slowly but builds very nicely to a brutal and bloody climax that ends everything, predictably so, in a hail of bullets. While the movie wears its influences proudly on its sleeve, and it takes its sweet time getting going, the pay off is completely worth it and when Sun-woo decides to strike back, the body count amasses at an extremely brisk pace.

Byung-hun Lee is perfect as the stone faced Sun-woo, playing his role with a massive amount of cool and looking very much like the consummate mobster, constantly decked out in a neat black suit and never cracking a smile. He takes everything very seriously so when he breaks his promise to his boss, it does come as quite a surprise though the events that decision set into motion seem inevitable. Min-a Shin is as cute as a button as the female lead â€“ pretty and innocent enough that her charms are not lost on the man charged with her protection. Yeong-cheol Kim certainly looks the part of the mob boss Kang, and when his employees decision sets him off, his performance does a nice job of portraying his anger and his disappointment in having his trust broken by someone he put faith in.

A Bittersweet Life also has its share of cleverly placed moments of black humor. The men charged with digging Sun-woo's grave before his planned execution don't mix words when the realize he's made his escape, their dialogue, while perfectly natural, is also quite amusing. Some of the interplay between Sun-woo and Hee-soo is also not without its charm, as she considers him a boring man to have to deal with despite the fact that he's a hired killer by trade. She's immune to him, having been surrounded by criminal activity for some time now, and the novelty has worn off before they've even met. One of the men that Kang sends after Sun-woo looks like Hunter S. Thompson on a fishing trip â€“ his very presence adds a strange sense of comic relief to the scenes he is in, despite the fact that in reality he's a pretty nasty guy capable of some fairly horrendous acts of violence.

The cinematography and art direction for the film is absolutely gorgeous to look at. Even during the slower first half of the film, the movie is a treat for the eyes and the ears with plenty of interesting color schemes and camera angles dancing about on screen as the storyline builds towards the inevitable. The noirish use of darks shadows and interesting pans down long, bleak corridors give the movie a very dark look that does a nice job of complimenting the storyline.

In the end, we're not really seeing anything that we haven't seen before with this film, but it's a lot of fun and a very well made film regardless. Seeing the transition that Sun-woo goes through after meeting Hee-soo makes for some interesting character development and the last hour of the film certainly delivers on the gun play/action movie front. Throw in some truly gorgeous cinematography, a likeable and interesting lead character, nifty art direction and sets, a solid supporting cast and some very creative violence and A Bittersweet Life comes up a winner.